The Kingdom of Angels is an early project that established the methodological foundations of my practice. Working within a domestic and symbolic framework, I developed a personal mythology using “naive” and decorative visual language as a means of constructing meaning rather than illustrating emotion.
The project explores image-making as a form of world-building: transforming everyday figures into symbolic agents that stabilize intimacy and produce a sense of order. This strategy—using accessible, emotionally coded imagery to construct systems of belief—became a recurring structure in my later work.
Although rooted in a private context, the project functions retrospectively as a prototype for my ongoing investigation into mediated subjectivity, myth-making, and the circulation of desire through images.